This photographic series recreates masterpieces by the 16th century Baroque painter, Michelangelo Caravaggio. Each photograph re-imagines an original Caravaggio portrait setting with the original figures replaced by similarly posed Asian models. Further complicating the Western gaze and ideals of patronage and politics, Yonemotoʼs sitters are clothed in South and North Vietnamese military uniforms, themselves reproductions sold to contemporary tourists in Vietnam. Through Hollywood devices of costume and set, the photographs muddy readings of subject and gaze, Western art history and late 20th Century politics, religion and representation, imperialism and tourism.